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  • Installed
  • Architectural
    • Exteriors
    • Interiors
  • Purchase
    • Exhibit Print Sale
    • 12″ x 12″ Mounted Prints
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  • About
  • Portfolio
    • Palimpsests
    • Sneak Peeks
    • Travelogue-2024
    • Persistence of Vision
      • Cathedral Ceilings
      • From One Star, Millions
      • Superstructures
      • Treeees
    • Portmanteaus
    • Winnebagoes
    • Unnatural History
    • Behind the Plexi’
    • Isolation
    • Antediluvian
    • Time Passages
      • Autoview
      • Azores
      • Burrard Inlet
      • Cities
      • Hulls
      • Mountains
      • Pacific Cruise
      • Panama Canal
      • Through the Looking Glass
      • Trains
    • Oregon Coast
    • Lytton Railcuts
    • Bob’s Place
    • Under the Bridge
    • Deconstruction
    • Vancouver Park Studies
    • Geodic
    • Salton Sea
    • The Bear Pit
    • Beaver Lake by the Numbers
    • Pyres
    • Carnage
    • Ephemera
  • Installed
  • Architectural
    • Exteriors
    • Interiors
  • Purchase
    • Exhibit Print Sale
    • 12″ x 12″ Mounted Prints
    • Ltd. Edition Prints
    • Price List
  • About
Oct
10

Time Passages: Trains

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Time Passages (2012 – ongoing)

‘Time Passages’ is a continuing series of long-exposure photos split into several categories, ‘Mountains’, ‘Cities’, ‘Hulls’, ‘Trains’, and others, taken from the decks of passenger ferries in motion as they pass along their routes; and is, in essence, painting with the camera.

The ‘Mountains’ series is compiled from a year and a half of travelling aboard the various BC Ferries. The ‘Cities’ series includes images from Istanbul, New York, Toronto and Vancouver.

‘Time Passages’ uses the technique of long-exposure photography in a way that allows an element of chance into the process. The movement of the boats I travel on, their course changes, the weather conditions and ocean swells are all beyond my control as a photographer and all affect the final image. Repeated journeys yield varying and dramatic results.

‘Time Passages’ was shot both in 4×5 slide film, and in digital format. The film and the digital media offer different results; the digital is more ‘painterly’, while the film is more sublime. Both mediums capture the passing of time and the questioning of memory and lie somewhere between a short film and a multiple exposure, capturing superimposed vistas in the ‘Mountains’ series, creating new architecture through abstraction in the ‘Cities’ series, and expressing the sensation of movement in the ‘Trains’ series.


Oct
10

Time Passages: Cities

  • Posted By : Wade Comer/
  • 0 comments /
  • Under :
Time Passages (2012 – ongoing)

‘Time Passages’ is a continuing series of long-exposure photos split into several categories, ‘Mountains’, ‘Cities’, ‘Hulls’, ‘Trains’, and others, taken from the decks of passenger ferries in motion as they pass along their routes; and is, in essence, painting with the camera.

The ‘Mountains’ series is compiled from a year and a half of travelling aboard the various BC Ferries. The ‘Cities’ series includes images from Istanbul, New York, Toronto and Vancouver.

‘Time Passages’ uses the technique of long-exposure photography in a way that allows an element of chance into the process. The movement of the boats I travel on, their course changes, the weather conditions and ocean swells are all beyond my control as a photographer and all affect the final image. Repeated journeys yield varying and dramatic results.

‘Time Passages’ was shot both in 4×5 slide film, and in digital format. The film and the digital media offer different results; the digital is more ‘painterly’, while the film is more sublime. Both mediums capture the passing of time and the questioning of memory and lie somewhere between a short film and a multiple exposure, capturing superimposed vistas in the ‘Mountains’ series, creating new architecture through abstraction in the ‘Cities’ series, and expressing the sensation of movement in the ‘Trains’ series.


Oct
10

Time Passages: Mountains

  • Posted By : Wade Comer/
  • 0 comments /
  • Under :
Time Passages (2012 – ongoing)

‘Time Passages’ is a continuing series of long-exposure photos split into several categories, ‘Mountains’, ‘Cities’, ‘Hulls’, ‘Trains’, and others, taken from the decks of passenger ferries in motion as they pass along their routes; and is, in essence, painting with the camera.

The ‘Mountains’ series is compiled from a year and a half of travelling aboard the various BC Ferries. The ‘Cities’ series includes images from Istanbul, New York, Toronto and Vancouver.

‘Time Passages’ uses the technique of long-exposure photography in a way that allows an element of chance into the process. The movement of the boats I travel on, their course changes, the weather conditions and ocean swells are all beyond my control as a photographer and all affect the final image. Repeated journeys yield varying and dramatic results.

‘Time Passages’ was shot both in 4×5 slide film, and in digital format. The film and the digital media offer different results; the digital is more ‘painterly’, while the film is more sublime. Both mediums capture the passing of time and the questioning of memory and lie somewhere between a short film and a multiple exposure, capturing superimposed vistas in the ‘Mountains’ series, creating new architecture through abstraction in the ‘Cities’ series, and expressing the sensation of movement in the ‘Trains’ series.


Oct
10

Time Passages: Burrard Inlet

  • Posted By : Wade Comer/
  • 0 comments /
  • Under :
Time Passages (2012 – ongoing)

‘Time Passages’ is a continuing series of long-exposure photos split into several categories, ‘Mountains’, ‘Cities’, ‘Hulls’, ‘Trains’, and others, taken from the decks of passenger ferries in motion as they pass along their routes; and is, in essence, painting with the camera.

The ‘Mountains’ series is compiled from a year and a half of travelling aboard the various BC Ferries. The ‘Cities’ series includes images from Istanbul, New York, Toronto and Vancouver.

‘Time Passages’ uses the technique of long-exposure photography in a way that allows an element of chance into the process. The movement of the boats I travel on, their course changes, the weather conditions and ocean swells are all beyond my control as a photographer and all affect the final image. Repeated journeys yield varying and dramatic results.

‘Time Passages’ was shot both in 4×5 slide film, and in digital format. The film and the digital media offer different results; the digital is more ‘painterly’, while the film is more sublime. Both mediums capture the passing of time and the questioning of memory and lie somewhere between a short film and a multiple exposure, capturing superimposed vistas in the ‘Mountains’ series, creating new architecture through abstraction in the ‘Cities’ series, and expressing the sensation of movement in the ‘Trains’ series.


Oct
10

Time Passages: Hulls

  • Posted By : Wade Comer/
  • 0 comments /
  • Under :
Time Passages (2012 – ongoing)

‘Time Passages’ is a continuing series of long-exposure photos split into several categories, ‘Mountains’, ‘Cities’, ‘Hulls’, ‘Trains’, and others, taken from the decks of passenger ferries in motion as they pass along their routes; and is, in essence, painting with the camera.

The ‘Mountains’ series is compiled from a year and a half of travelling aboard the various BC Ferries. The ‘Cities’ series includes images from Istanbul, New York, Toronto and Vancouver.

‘Time Passages’ uses the technique of long-exposure photography in a way that allows an element of chance into the process. The movement of the boats I travel on, their course changes, the weather conditions and ocean swells are all beyond my control as a photographer and all affect the final image. Repeated journeys yield varying and dramatic results.

‘Time Passages’ was shot both in 4×5 slide film, and in digital format. The film and the digital media offer different results; the digital is more ‘painterly’, while the film is more sublime. Both mediums capture the passing of time and the questioning of memory and lie somewhere between a short film and a multiple exposure, capturing superimposed vistas in the ‘Mountains’ series, creating new architecture through abstraction in the ‘Cities’ series, and expressing the sensation of movement in the ‘Trains’ series.


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